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H (Index List)

Hakama (袴)

A Noh and kyōgen costume put on after the kitsuke by tying the front and rear strings to the waist....

Hakamanoh (袴能)

Hakamanoh refers to when the actor performs in a montsuki-hakama without a mask or costume. For the ...

Hakobi (運ビ)

A basic step in Noh and kyōgen. Hakobi essentially refers to a step in which the sole of the foot sl...

Hakushiki (白式 )

In Nohgaku, haku, or “white” objects are treated with the utmost reverence. To elevate the standing ...

Haneogi (ハネ扇)

See "Haneōgi"...

Haneōgi (ハネ扇)

A form in Noh and kyōgen. One main rib (the fattest rib of each side of the fan) of the opened fan i...

Hangiri (半切)

Abbreviation for hangiribakama. While shaped similarly to ōkuchibakama, hangiri are made kinran fabr...

Hankaiko (半開口)

See "Hankaikō" ...

Hankaikō (半開口)

A special performance among okinatsuki-wakinoh used in atypical wakinoh such as Tamai where there i...

Hanmaku (半幕)

Meaning “half curtain,” the hanmaku is the point at which the bottom half of the agemaku is raised w...

Hanomai (破ノ舞)

One type of dance in Noh. After female spirits, fairies or other spirits dance the jonomai or nakan...

Happi (法被)

A long-sleeved garment worn by male characters. There are lined and unlined happi, with lined happi ...

Hashigakari (橋掛り)

The hashigakari is the name for the bridge-like section connecting the main stage protruding into th...

Haya mai (早舞)

A type of dance, literally “fast dance.” Haya mai is danced by characters playing ryunyo such as the...

Hayafue (早笛)

A hayashigoto played upon the entrance of the atoshite or atotsure. It is played at a high, heroic t...

Hayashikata (囃子方)

The instrumental performers in Noh, the hayashikata are divided into the fuekata, kotsuzumikata, ōts...

Hayashimono (囃子物)

Plays that are sung and danced in kyōgen with a unique, bright and airy rhythm. These often include ...

Hayatuzumi (早鼓)

Hayashigoto performed in Noh upon the frantic entrance of the ai performing hayauchi (a servant info...

Hikazu Noh (日数能)

The continued performance of Noh over multiple days. In Shikisanban (Okina), there are different typ...

Hiraki (披キ)

A narai, or “advanced practice play” of a nohgakushi, or the first time this play is played. Narai a...

Hiramono (平物)

Used in reference to regular plays and performance styles in contrast with narai and narai mono. Eve...

Hiranori (平ノリ)

A type of vocal rhythm. There are three types of vocal rhythms that correspond to the rhythm of the ...

Hitamen (直面)

While characters in Noh perform while wearing masks, they play the role in a similar manner even whe...

Hitatare (直垂)

A long-sleeved lined garment with matching top and bottom worn by the role of a samurai. The hitatar...

Honbutai (本舞台)

The center of the performance on a Noh stage. The honbutai, or “main stage,” faces the kensho (seati...

Honganji North Stage (本願寺北能舞台)

The Noh Stage located in Nishi Hongwanji, the Honganji North Stage is the oldest Noh stage recogniz...

Honmaku (本幕)

Honmaku, or “full curtain,” refers to when the curtain is raised completely with two poles from the ...

Honmen (本面)

Masks that form the standard for individual schools and are passed down by the heads of the schools ...

Honwaki Noh (本脇能)

Plays full of the celebratory spirit that distinguishes waki Noh performances, including Takasago, Y...

Hosho School (宝生流)

See "Hōshō School"...

Hotokedaore (仏倒れ)

Performance that represents death or falling unconscious. The performer bends over backwards and fal...

Hōshō School (宝生流)

One of Noh’s shitekata schools. The founder is said to be either the son or brother of Kan’ami Kiyot...

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